RECOLLECTIONS

Traces of a Tangible Silence

by Randall Patrick
BETWEEN TAKES

Circles - An Ode to Shredding

with Director Dana Shaw

Scene Check: Taghazout

Life Through a Lens

BETWEEN TAKES

Making Weight

with Director James Dayton

Process Journal

Uncharted Waters
Ben Weiland is a filmmaker who's name has become synonymous with films that touch the far corners of this Earth. Stories of the human experience, through struggle and triumph, told through a cinematic lens. He recently joined his close collaborator, Brian Davis, to launch Fielder Films -- a studio dedicated to telling the types of stories that have become the bedrock of their prior collaborations.
Light & Motion
Micka Woodless is a photographer based out of Capbreton, France. His work has a consistent through line of light and motion, as he uses different expired film stocks while chasing the thrill of his subjects. He has an infinity for things that have lived a previous life and are rich with character, be it a vintage car or bike, an artfully crafted surfboard or a well ridden skateboard.
Staying Uncomfortable
Along the shores of St. Augustine, Florida you will find cinematographer Dustin Miller. His journey into filmmaking has been anything but traditional, which makes his current body of work all the more commendable. Having never lived near a major production hub, he's had to work that much harder to connect with the directors and production companies he’s been keen to work with.
Hometown Journal
We’ve been curious about the folks behind the pages of this magazine, so we reached out to founders Jan Eric Hühn and Alex Schuchmann to dig into why they started Hometown, what it means to them, and how they’ve gone about producing the tangible product they have.
Shedding Light
There was a shed that was built on our property by the original owner in the 1970s. It had a lot of character so it got me thinking what it could be used for. Once I realized it was fully insulated, the idea of an office/workspace came about.
Capturing on the Road
During a time where covid posed a lot of downfalls and closed doors, I used it as a jumping board to hit the road. It was Autumn 2020 during the point where the film industry still wasn’t completely back to normal, so I looked at it as an opportunity to make the most of the down time.